Sculpture–Bijou shifts between sculpture and wearable object, drawing on the spiral as a form associated with creation, continuity, and transformation. The work stages a dialogue between two spirals housed within a single transparent case: one anchored to a concrete base, the other removable and designed to be worn as a bracelet.

At rest, the two elements read as a unified whole, held within their enclosure. When one spiral is removed, the work shifts from a contained composition to a lived gesture, extending into the space of the body. The act of wearing introduces intimacy and motion, temporarily altering the work without disturbing its structure.

Sculpture–Bijou exists in this quiet tension between stillness and use, presenting sculpture as a presence that can be carried, activated, and returned—never fixed, always evolving.

Collaboration with jewelry designer Randa Tabbah